At this juncture, I don’t think it will strike anyone as surprising to call Bill Gaytten’s collections for Dior “safe.” After all, just look at Dior Fall 2012, specifically its shoes: What’s more unoffensive than a literal take on ballerina chic? While the critics among as might use words like “safe” and “unoffensive” as backhanded insults, though, those descriptors often turn into profits when a brand has a customer base as dedicated as Dior’s. These shoes may not be thought-provoking, but for a certain woman, they’re very wearable.

Which is not to say that they’re comfortable-looking; on the contrary, they look like Dior’s shoemakers are attempting to get the wearer as close to en pointe as possible. These designs have a classic style, though, and in the luxurious neutrals that we saw on the runway, they’ll undoubtedly sell well to people who aren’t particularly interested in the behind-the-scenes business machinations of the fashion industry. Luckily for Dior, that’s a sizable group of people.

Images via Vogue.com

  • Sharon

    I agree they’re going for en pointe.   The straps even resemble the bandages that ballerinas wrap around their feet.  The heels on # 11  give the illusion of breaking, don’t they?  Kind of bent forward and it seems you only walk on the back edge of the heel.  

  • http://twitter.com/ameliagandara Amelia Gandara

    As a former professional ballet dancer, I quite like these!  I’ve seen the ballerina flat played out over and over and over….I think these are refreshing, though they could have experimented a little more with color.

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